Retellings of Beauty and the Beast

IT’S FINALLY OUT. I’ve been waiting for the trailer ever since the first movie teaser was released! Beauty and the Beast is by far my all-time favorite fairy tale and I am ecstatic that it is finally getting a live action film. I also want to gush about all the recent book retellings of BatB so I will be listing several of my favorites below the trailer.


They are listed from my least to most favorite retellings:

7. Stolen Songbird by Danielle L Jensen (Review here)

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6. Cruel Beauty by Rosamund Hodge

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5. Beauty by Robin McKinley

4. East by Edith Pattou

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3. Heart’s Blood by Juliet Marillier

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2. A Court of Thorns and Roses by Sarah J. Maas

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1. Uprooted by Naomi Novik (Check out my review here)

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Review: The Star-Touched Queen by Roshani Chokshi

The Star-Touched QueenThe Star-Touched Queen by Roshani Chokshi

My rating: 4 of 5 stars

The Star-Touched Queen is heavily infused with Indian mythology and purple prose. The lyrical metaphors and lush descriptions really makes this book stand out from the plethora of books that are released this year. It is definitely a book to savor and it is not made to rush through as many would with the  typical straightforward writing in YA.

I admit the premise intrigued me and I’ve always been interested in the Persephone and Hades mythology. There’s some sort of allure that defines that myth and it’s interesting how it plays out although it does technically center around Stockholm Syndrome. Of course, there are ways to play around that particular sore spot and that is exactly what the book does. However, nothing is what it seems and Amar is never portrayed as a villain. The circumstances of Maya’s position in society makes her an expendable pawn in the game of kings. Thus, when Amar and Maya meet, it’s not the ideal situation but Amar does not commit any nefarious deeds. There’s a lot of mystery shrouded around his character so there is a shaky ground of trust that forms their relationship. I think the dynamic between the two is a weak part in the story because they barely know each other. A strong relationship, as Maya has mentioned, requires trust and no secrets. Although secrets are interwoven as a necessity in the plot, it is the root of conflict and it could have been better portrayed without making it seem like a redundant obstacle. I did not feel like the chemistry and Amar’s character was not as fleshed-out as it can be. In short, his background felt lacking and could have been expanded on to make him a viable love interest.

The strongest point of the plot is the ethnic culture and the wealth of vocabulary that enriched the story. The worldbuilding was well-written which makes sense because a lot of it was taken out of the history books. I can definitely see that the author did her research and the fashion, specific vocabulary, and labels for certain items all fit to create a rich realistic storyline. I don’t have extensive knowledge of Indian culture and history but I felt immersed into the world and the glossary in the back of the story definitely helped me get more acquainted. The mythology is interesting and I loved the passages when Maya told a myth. They were relevant to the plot and added more depth into understanding how her life can be fitted around these myths. Chokshi weaves a simple but elegant story that mixes eloquent prose to create a tremendously powerful book. It is a retelling and thus people who know the tale may not be impressed. And this is where the writer’s strength shines the most because she takes this type of retelling and maximizes the charm of each part through her descriptive writing. If it was any other author, I am not sure she/he would be able to pull off the same effect that Chokshi’s writing did. I anticipate the next book she writes.

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Review: The Winner’s Kiss by Marie Rutkoski

The Winner's Kiss (The Winner's Trilogy, #3)The Winner’s Kiss by Marie Rutkoski

My rating: 4.5 of 5 stars

Fantasy books rarely close on such a sweet note. I’m unused to a happy, hopeful ending. (Oh, you authors have broken my heart time over time with all your shenanigans.)

The Winner’s Crime ended on such a grim note that I wondered how the situation could resolve itself. Realistically speaking, war can only hold off imperialism for so long and the odds are not in Arin’s quaint colony’s favor. So even if he wins this spat, Valoria will return one day to conquer this nation again. However, brute force and guerilla warfare may leave scars that will desist Valoria from stepping on their land for a while. That doesn’t leave many choices. However, Arin and Kestrel are a force to be reckoned with and they are the perfect couple and tag team to tackled this dilemma. Arin is smart. Kestrel is smarter. With these limited resources at hand, the author really made them work hard for a happy ending.

“What formation would the general use,” Roshar had asked her, “for a march along a road of that width?”
Kestrel had paused, fingers on the worn map.
“She can’t know for certain,” Arin said.
“Here’s what I would do if I were him,” she said…

At the start of the book, Arin is return to his home heartbroken but not without a measure of hope to move on and deal with the looming war at hand. He struck me as a resilient character and this is such an apt description because he talked a lot about learning from his mistakes. He began to harden his heart to war’s brutality and although he bounced back from all these mishaps, he changed cynically. He’s determined and resourceful, but the author shows that he is merciful towards Valorian female warriors. In one scene, he hesitates in a moment of weakness which causes him to sustain an injury from a random Valorian female soldier. I liked that he still retains that core of decency and I don’t question his actions because this is wartime.

“But this was your true self,” he said. “Intelligent, brave, manipulative. Kind. You made no effort to hide who you were. Then I found that I wanted you to hide it. This was the luxury of your position, wasn’t it, that you didn’t have to hide? It was the doomed nature of mine, that I did. And that’s true. Sometimes a truth squeezes you so tightly you can’t breathe. It was like that. But it also wasn’t, because there was another reason it hurt to look at you. You were too likable. To me.”

Kestrel is worse off than she was in the previous books. I really felt for her pain and misery, and I understood why it was better to forget rather than torment herself with memories of her past. In all honesty, she is the better for her experience because her fundamental self is unchanged. She has been strong, tactical, and persistently independent with what she has to work with. As a general’s daughter, she lives up to her name and continues to play wargames despite her mental hardships. Arin coddles her with his protectiveness so it’s interesting seeing the dynamics between the two. True, Kestrel deeply cares about Arin but she is not as easily swayed by emotions. She does not let emotion color her decisions. However, she is by no means an ice queen. She is deeply traumatized by her recent experiences and suffers through a huge identity crisis. Much of it is internal and she does not express much of it physically.

She remembered how she’d wanted to explain to him that it had rattled her to try to slip into her father’s mind, to know that the general’s mind and her own felt upsettingly similar. She’d wanted to put her fear inside a white box and give it to Arin.
You, too, she would tell him. I fear for you. I fear for me if I lost you.
War is no place for fear, said the memory of her father’s voice.
“Take care,” she’d told Arin.
He’d smiled.

Arin, on the other hand, is irrational when it comes to Kestrel. I kept waiting throughout the book for it to come back to bite him in the rear but it seems that there were no severe consequences. Sure, there are some grave risks taken and several heartrending moment in which they suffered grievous wounds. However, they survived relatively unscathed. I think I should feel happy, right? I guess I’m so used to being tricked and handed bittersweet endings that The Winner’s Kiss almost seems like a miracle. But a gift is a gift and I’LL TAKE IT.

Thanks, Marie Rutkoski for writing a wonderful book filled with sweet moments, tender declarations of love, and gory descriptions of appendages lopped off.

Review: Simon vs. the Homo Sapiens Agenda

Simon vs. the Homo Sapiens AgendaSimon vs. the Homo Sapiens Agenda by Becky Albertalli

My rating: 4 of 5 stars

Becky Albertalli honestly gets kids. She understands us on a deep level and Simon is like my spirit animal. Leah, on the other hand, is my inner fangirl and she’s literally so shameless with her cosplay of Tohru from Fruits Basket and all the anime plushies.


I admit this book is not one I would voluntarily pick up on my own will. The cover doesn’t really scream ‘BUY ME’ and the title is confusing because it gives no hints as to the plott. However, the clothes on the guy is contemporary and that’s a genre I generally steer clear of.

Don’t get me wrong, I have nothing against contemporary YA but I think I’m past my prime because it no longer interests me. I’m not in high school anymore and I can’t seem to get immersed in high school YA nowadays. It was never really my cup of tea because I had always enjoyed the fantasy genre more. Besides, I’ve basically read them all: the cliques, tropes, mysterious guy, gossip, and drama all ensconced within a classroom.

So I’m pleasantly surprised by this book because Simon is a refreshing character with his own unique traits. People have pegged him as the theater geek but he knows he is more than that. He is also more than just a gay character. As a teenager, identity crisis is very real and no one knows it better than Simon. He believes that he is always changing and he’s afraid of who he’s becoming because he doesn’t ‘feel’ the same.

It’s not even about me being gay, because I know deep down that my family would be fine with it. We’re not religious. My parents are Democrats. My dad likes to joke around, and it would definitely be awkward, but I guess I’m lucky. I know they’re not going to disown me. And I’m sure some people in school would give me hell, but my friends would be fine. Leah loves gay guys, so she’d probably be freaking thrilled. But I’m tired of coming out. All I ever do is come out. I try not to change, but I keep changing, in all these tiny ways. I get a girlfriend. I have a beer. And every freaking time, I have to reintroduce myself to the universe all over again.

His innate fear of change doesn’t stop him from trying new things aka beer, parties, and making new friends. Simon and his group of friends have the best types of interactions: they’re casual, they talk about everything and nothing, and they bond through their experiences. Ahhh, it reminds me of my happy-go-lucky days.

Since this story takes place in a backwater town in Georgia, Albertalli shines light on relevant issues that exists in such an area. There’s the racism, bigotry, and anti-gay mindset which makes Simon reluctant to reveal his orientation.  Simon has a great support system and he has long come to terms with his sexual preference. He also has a multicultural group of friends. (That’s an A+ in my book for promoting diversity in books!) In that sense, he’s got most of his life figured out but it’s not ideal to come out of the closet in front of his non-progressive town. The plot was character-driven heavily and it was so sweet and cute (YES, IT WAS ADORABLE) to watch Simon grow and experience new things through his snarky, ingenuous perspective. His voice was hilarious and relatable. I really felt like a teenager again.

[Email to Blue:] So, I keep thinking about the idea of secret identities. Do you ever feel locked into yourself? I’m not sure if I’m making sense here. I guess what I mean is that sometimes it seems like everyone knows who I am except me. Okay, I’m glad you mentioned homecoming, because I totally forgot that Spirit Week is this week. Monday is Decades Day, right? I guess I should check online so I can avoid making an ass of myself. Honestly, I can’t believe they schedule Spirit Week right after Halloween. Creekwood really blows its load on costume days all at once. How do you think you’ll dress up for Monday? I know you’re not going to answer that. And I totally figured you’d be ogling the cheerleaders on Friday, because you’re all about the ladies. Me too, Blue. Me too.

Thank you Albertalli for mentioning how hard the job of a teacher is! Yes, teachers get some credit for doing a good job in this book and I’m elated because it gives me hope for positive representation in YA as a future teacher! (Oftentimes, teachers are insignificant and pushed aside in contemporary YA but we want our parts too!) I love the email exchanges between Simon and his secret guy, Blue. They’re very honest and open with each other which is rare because communication is so complicated in the real world right now. People be playing mind games whenever they text each other.

So should you read this book?

LGBTQ is an important topic and I’m glad to read a book that showcases it from a gay teen’s perspective. Sure, you can read books that have gay characters but it’s different when you are involved and reading about a gay main character. So yes, read this book and enjoy it not just as an LGBTQ book but as a book about high school, Oreos, romance, and Oliver! musicals.

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Review: Prince’s Gambit by C.S. Pacat

Captive Prince: Volume Two (Captive Prince, #2)Captive Prince: Volume Two by C.S. Pacat

My rating: 4 of 5 stars

The alternate title for this book is called Prince’s Gambit and I prefer it much more than the ‘Volume Two’ because it sums up this middle book so well.

Gambit <noun>: (in chess) an opening in which a player makes a sacrifice, typically of a pawn, for the sake of some compensating advantage.
A device, action, or opening remark, typically one entailing a degree of risk, that is calculated to gain an advantage.


 

Minor spoilers for Captive Prince: Book One

So who do you think is the gambit? Too bad, you won’t find out unless you read the book.
Laurent, hands down, dominates the game with the crazy tactics and strategies that he comes up with to subvert his enemies and stay three steps ahead of his uncle. The risk to his life is much more apparent as the Regent makes more indirect, daring attempts on Laurent. You thought Laurent was clever? WATCH THIS. He begins revealing just how deep his deceptions can go and readers see exactly how intelligent he is. Damen is also a warmonger and he’s very charismatic alongside Laurent. As a duo, they are a force to be reckoned with. They are very capable individuals that have commanding presences to capture the respect of an army.

Laurent said it as though producing from the depths the answer to a painstakingly weighed question. ‘I can do this alone. I know I can. It’s only that right now I can’t seem to…think, and I can’t…trust anyone else to stand up to me when I’m…like this. If you could give me three days, I–‘ He forcibly cut himself off.

Damen has always chafed under his shackles so it was eye-opening to see what he can do if Laurent gave him the keys. With a semblance of freedom, Damen shows his prowess…on the battlefield. HAAA, did you think I was going to say something else? Anyways, there’s a lot of sexual tension throughout the book and Pacat does it so well. The characters continue to develop and show a resilience in how they deal with tricky situations. The duo hit many problems along their travels but they stick together through them all. Although Laurent is secretive and holds many of his underhanded tactics close to heart, he still confides the most in Damen. Their slow buildup of trust was a wondrous thing to witness and in tough times, they really came to rely on each other’s strengths. I loved seeing Laurent push his army to their limits with drills and combat practices. Dealt with a rather lackluster set of cards, Laurent is showing his hidden sides that can transform even a rotten soldier into something respectable.

So then comes the huge elephant in the room. How can Damen tell Laurent that he is Prince Damien, the one he loathes for killing his brother?

He thought of Laurent’s delicate, needling talk that froze into icy rebuff if Damen pushed at it, but if he didn’t–if he matched himself to its subtle pulses and undercurrents–continued, sweetly deepening, until he could only wonder if he knew, if they both knew, what they were doing.

The story becomes much more centered on Damen on Laurent’s story; it’s really sweet to see that a relationship can blossom in the face of the tribulations that they face. In the fight for a king’s seat, they are both determined to ensure success. Damen is an asset to Laurent, a collaboration that many could not see taking place. The dynamics of their relationship is explored more deeply in this book because there’s just so much going on. Their interactions are always anticipatory for me because they’re polar opposites in many ways. Laurent is the icy, lean prince and Damen is the brutish, forceful one. How can  they deal with each other when they’re so different. I guess it’s true that opposites attract because chapter 19

Laurent’s fingers had tightened around the towel. There was a self-consciousness in him now, as though he had become aware of the strangeness of what he was doing: a prince serving a slave. Damen looked again at the cup of water, which Laurent had brought–for him, he realised.
Laurent’s flush deepened. Damen shifted to regard him better. He saw the angle of Laurent’s jaw, the tension in Laurent’s shoulders.

Laurent has a lot of tricks up his sleeves and he reminds me so much of a sterner, serious version of Eugenides from The Queen’s Thief by MWT.

Following the pattern of Captive Prince: Book One, here are more words that I had to look up: verisimilitude, immanence, percipient, abstemious

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Review: Captive Prince by C. S. Pacat

I don’t know whether to be quite proud or embarrassed that I finished this trilogy within two days because I don’t think I’ve ever read an entire series that fast. The books started out as an online serial and it took me a little over three hours to complete each one. The vocabulary is complex and very colorful, a rare treat, and it really satisfied my appetite. I can’t remember the last time I consulted my online dictionary multiple times throughout a book. This was probably back in early high school but I found myself highlighting half a dozen words when I read Captive Prince. (I had to look up all these words: catamite, provenance, appurtenances, apothegm, peripatetic, aseptic)


Captive Prince: Volume One (Captive Prince, #1)Captive Prince: Volume One by C.S. Pacat

My rating: 4 of 5 stars

I applaud C.S. Pacat’s skill because she has long surpassed the debut novelist’s amateurity with her level of depth and characterization in Captive Prince. She is very familiar with her worldbuilding and it is obvious that she constructed the plot with the ending very much in mind. There are so many plot twists and revelations that accompanies the two main characters that it awes me completely at every turn. As an m/m romance, the first book only set the foundations of the relationship and it is a full-on hate on first sight. This is reasonably ironic as Damen is in a precarious situation where they are sworn enemies. It’s almost like Romeo and Juliet except there’s a load of history that warrants much hate between the two kingdoms. So color me surprised as I see the author blur the lines of right and wrong and uncover the intricate layers of Prince Laurent. He’s not someone that I can support as a love interest for Damen as their relationship is that of a slave/prince right now. It’s unbalanced and Damen’s identity is shrouded so he can never act as a prince. It’s degrading to stoop to the level of a slave and we suffer through a lot of humiliations with him. And believe me, Laurent is really resentful and he’s actually terrible to Damen.

‘He cares for your pleasure,’ explaiined Erasmus.
It took a moment for those words to attach to their correct meaning, and when they did a breath of helpless laughter was the only possible response. Laurent’s precise instructions and their inevitable result had not been intended as a kindness, but rather the opposite. There was no way to explain Laurent’s cool, intricate mind to the slave, and Damen didn’t try.

Laurent is manipulative, cold, and tightly-controlled. However, nothing is as it seems. We glimpse many reasons that attributed to his current personality and it’s very interesting as Damen discovers the different sides of Laurent. As a prince, he exercises some power over the kingdom but the one who is truly in control is the Regent, Laurent’s uncle. The sheer amount of influence and background dealings that the Regent has makes this novel shine with the plot twists and trickery. Damen is way out of his water (literally and figuratively) and the reader blatantly sees that he cannot handle any court dealings and has a shallow understanding of political intrigue.

‘You can’t go to Delfeur,’ Damen said. ‘It’s a death trap.’
The moment he said it, he understoof that Laurent had always known this…
The words were an unfolding realization. It was clear now why Laurent had worked to exonerate his slave and obfuscate the attack…
‘Why are you doing this? Is it a forced move? You can’t think of a way around it?’ Damen searched Laurent’s face.

In short, Laurent is his foil and whereas Damen is trusting of everyone and gives them the benefit of the doubt, Laurent’s shield is always up and his every move is an act with a distinct purpose behind it. I loved their parallels and the plausible concept of them complementing each other with their different traits. I thought they were an excellent match in that sense because Damen is charismatic and automatically loved by all with his leadership and fighting abilities. His Akielon people adored him and were exceedingly loyal (except for those who betrayed him, of course) but Laurent grew up in a secretive court filled with scheming royals. Vere, on the other hand, is under the rule of the Regent meaning most of the supporters are in Regent’s favor. Laurent may certainly attract several blindly devoted followers but his actions are constantly under watch and his cards are limited. Ironically, he is also trapped like Damen.

Guion had dined on mouth-watering spiced meats wrapped in grape leaves, the noon-day heat fanned away from his reclining form by attentive slaves. He felt generously willing to admit that this barbaric country [Akielos] had its charms. The food was rustic but the slaves were impeccable: faultlessly obedient and trained to efface and anticipate, nothing like the spoiled pets at the court of Vere.

I find the world of Vere and Akielos highly fascinating with the inspiration of Greek/Roman architecture and fashion, and the Akielon slave culture that is compared to the ‘pet’ culture of Veretians. Akielos is pro-slavery and it’s so long established as the norm that Damen doesn’t really question its moralities until he arrives in Vere as a slave himself. But Vere doesn’t own slaves; royals keep ‘pets’ that are dolled up and kept as a trophy by their sides to satisfy their sexual cravings. Rather barbaric, that’s what the readers and Damen think. Unlike the heteronormative Akielos, Veretian culture frown upon heterosexuals as an aberration which causes bastardry and they tout homosexuality as the norm.

Female pets were kept by the ladies, male pets were kept by the lords.
‘You mean that men and women–never–‘
Never. Not among the nobility. Well, sometimes, if they were perverse. It was taboo. Bastards were a blight, Jord said. Even among the guards, if you screwed women, you kept quiet about it. If you got a woman pregnant and didn’t marry her your career was over.

It’s interesting seeing the set-up of this environment as what pushes this towards the M/M genre because Damen is allegedly bisexual and Laurent is homosexual like everyone else in his kingdom. However, these details are not the crux of the plot because fantasy is Pacat’s forte. In many author’s hands, this premise would not have worked but Pacat has forged a memorable story that garners the attention of hardcore fantasy-lovers while catering to romantics, the lgbt genre, and mature readers. The sophisticated vocabulary and sentences are unique and it took me much longer to read this book than when I read Simon vs. the Homo Sapiens Agenda. (By the way, I’ll write a nice review about Simon hehehe) Now that I thought of it, these books are both about lgbt but they polar opposites in so many ways and Simon’s story is really sweet and positive whilst Captive Prince takes a much darker turn into the gritty power struggle between two kingdoms and characters.


So I ended up writing much more than I thought I would for Captive Prince…meaning I’m going to write up a separate review for Prince’s Gambit and Kings Rising.

Review to come for:

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Review: Crown of Midnight by Sarah Maas

Crown of Midnight (Throne of Glass, #2)Crown of Midnight by Sarah J. Maas

My rating: 5 of 5 stars

That whole stereotype about second book syndrome? CROWN OF MIDNIGHT COMPLETELY PROVED IT WRONG. Throne of Glass set up multiple plot threads that were picked up in this book and it was juggled so well. With the same four main protagonists, the story continues to expand and explore what Throne of Glass hinted at. A lot happened and Celaena was put through more hardships and pain but I loved every moment of it. That makes me sound like a sadist but all I mean is that the author wrote an engrossing story that continued to push the stakes higher and force characters out of their comfort zone. There are new revelations and subtle clues for readers to pick up on in order to learn how the past connects with the present.


While the first book leaves readers slightly intrigued, this one is a monster that sucks the reader in with juicy details a whole new world~~ The map displayed in the beginning of the book actually is of use and is somewhat relevant to the story. Celaena has more or less stayed the same in this book so it was super fun seeing how her wit and smarts allowed her to discover the ominous plans of the king. The first book has the ease of distraction through a survival competition but now that her position as Champion is secure, the real worries and identity crisis is back in her life. Celaena has some serious history to deal with and her childhood was so sorrowful and blunt. We as readers begin to empathize with her despite her flaw and determination to run away from her problems.

Nehemia clicked her tongue. “I didn’t realize that you’re just a coward.”
Celaena looked over her shoulder. “Say that again.”
Nehemia didn’t flinch. “You’re a coward. You are nothing more than a coward.”
Celaena’s fingers clenched into fists. “When your people are lying dead around you,” she hissed, “don’t come crying to me.”

Although she has proved her courage multiple times, she is still a coward at heart and it hurt her very much when Nehemia called her out for it. The author showed a great job of Celaena’s emotional instability and mental scarring by the way she seemed to loathe herself. That whole parade of arrogance, superiority, and nonchalance you saw in the first book? It was all a facade. Her mask has been neatly sewn on for ten years. Nevertheless, Celaena is still a protagonist that is fierce, vicious, and highly cunning. She’s reluctant to go against the evil king because she believes herself to be insignificant and powerless even though she has proven otherwise. In Crown of Midnight, Celaena literally leaps off the pages with her liveliness and there was never a dull moment with her around.

I have good things to say about Choal and Dorian since more light was shed onto their personalities and background. Dorian becomes more responsible and ‘kingly’ as a catalytic result of Celaena. How so? Dorian was portrayed as a devil-may-care womanizer whose meager involvement in court politics was by merely showing up at meetings. This new side where Dorian begins to stand up to his father is a complete reversal from his initial apathy and mere tolerance of his father’s atrocities. Whereas he offered his condolences upon hearing of the massacre in Eyllwe, his acts of defiance are more pronounced in the second book. I’d say Celaena imposes a positive influence that forces him to step up to the mantle and seek clarification of his kingdom’s situation. This, however, was only a possibility due to Celaena pushing him away. Instead of shunning his responsibilities by wooing the Champion and doing whatever idle things he did, he has to face court affairs because he still cares what happens to her in her assassin missions.

But this distance between them, this horrible gap that spread every day…it was for the best.
Dorian took a step closer, exposing his palms to her. “Do you want me to fight for you? Is that it?”
“No,” she said quietly. “I just want you to leave me alone.”

The relationship is not necessarily falling apart at the seams but both the prince and the champion are better off as friends when they don’t even have their own identities figured out. Dorian is weak-willed, and Celaena is still coming to terms with her past and learning to do what is right. Chaol is indecisive and his inability to align himself with a specific allegiance is a flaw that runs deep. (I haven’t said much about Chaol, right? He is an interesting character because he cares deeply for Celaena and is like a rock. Ever-present and steady even though he is very guarded in his feelings. Of course, he falls for her and in his own way, he tries to protect her and keep her safe. He has well-meaning intentions that truly comes back to bite him in the ass because he knows it’s not right towards the parties involved. He still does it though. In the end, I can only applaud him for his large heart even though I want to smack him around for acting so chivalrous when it hurts him to do so.)

Whatever shred of hope he’d had for a future with her was gone. She still felt something for him, she’d admitted, but she would never trust him. She would always hate him for what he’d done.
But he could do this for her. Even if he never saw her again, even if she abandoned her duties as King’s Champion…as long as he knew that she was safe, that no one could hurt her…He’d sell his soul again and again for that.

These are all characters that have a lot to sort through and this book dealt a lot with laying their problems bare. There is a lot of character development to speak of but it is more of “developing the characters to make them 3-D to the readers rather than actually making the characters change or become different”. Therefore, I’m expecting Heir of Fire to take the next step by resolving these problems and having characters confront/battle their inner turmoil.

Crown of Midnight brought new revelations to the table because honestly, I did not realize seriously how badly screwed up the kingdom was until Celaena, Chaol, Nehemia, and Dorian began researching. This book really stepped up its game and took it up a notch by highlighting exactly what’s going on with the villainous king. I loved that the author used the same castle setting to uncover new secrets when the conflict is usually laid bare in most books. The genre is now no longer fantasy-lite but high fantasy with a mystery base. The romance is still there but no longer the centerpiece which I’m so thankful for because it downplayed the complex plot.

Before the magic cleansing and tyranny of King of Adarlan, matter were quite different. War is now a constant and the current state of affairs is possible stirrings of rebellion. This is like most dystopian books that incite revolution and place their protagonists at the head of it *cough* Katniss Everdeen, Tris Prior *cough cough*. However, I can feel the hopelessness that’s deeply rooted in Celaena’s mind which stops her from rebelling. Her only aspiration was freedom far away from the iron hand of Adarlan; her desperate wish to be normal is what makes her different from other protagonists. The ‘special snowflake syndrome’ may apply to her since she’s a deadly assassin good at her job, but the extent of the king’s power is hard to challenge. It’s actually ridiculously hard and extremely unlikely for revolutions led by teenagers to overthrow the government/monarchy. So I liked this fresh breath of cold, hard reality where Celaena feels insignificant and wants no part in going against the king. This is a subplot that runs throughout the whole story as she continues to discover more atrocities and the source of the king’s power. I want to write more about the plot but it’s hard to do so when I’m navigating over major spoilers. To sum it up, Crown of Midnight was addicting, quick-paced, and exceedingly suave. If you were less than bedazzled by Throne of Glass, be prepared to be awed by the sequel.